What’s with all the Dutch angles?


John Cho, Mustafa Shakir, Spike and Jett look at something aboard bebop.

everything in bebopA slightly crooked world, morally and…well, you know. with this camera.
screenshot: Netflix

There is a lot To feel turning off About Live Action Cowboy BebopShow dancing to the beat Close to, but not so far, seamless sharing of basic animation inspiration. But one of the strangest moments of bad rhythm is the one that you may take a while to notice at first: What is Dutch angles obsession?

like Dutch corners Originally bull, realization bebopUnwanted camera angle precipitation — sometimes subtle, sometimes harsh, yet present in what can feel like every other camera shot in the Netflix series — can come off as something of a slow burn, but once you realize you’ve been watching John Cho, Mustafa Shakir and Daniela Pineda When you increase the number of angles for a few hours, you cannot escape noticing them every time it happens again. And it happens again Much. Our lenses are in a series silhouette Iconic animation Shinichiro Watanabe Often they are not displayed at these oblique angles. The camera revolves around quiet moments, close-up shots, snapshots, action moments and foundation moments, permanently containing our perspective.

Photo of the article titled Cowboy Bebop & # 39;  s Hunt for a Visual Style is a pain in the neck

screenshot: Netflix

This is not always necessarily a file Bad Thing. When used effectively, Angle Dutch can evoke feelings of anxiety and discomfort, with a strange surrealism that can evoke tension as much as it can abstract reality. but bebopHis fascination with this technology means that everything from threatening screams to Alex Hussle episode To something as simple as a founding shot of jazz in Anna’s pub is treated the same, ironically flattening the show’s cinematography so that one blissful angle overlaps the other. Rather than evoke a sense of cinematic energy (perhaps to make up for its lack elsewhere in bebopboring ambiance), one Dutch corner after another, and another that becomes visually confusing at first, and maybe drives you crazy after you can’t stop noticing it.

Perhaps most important of all, bebopA love for the Dutch corner negates the show’s search for meaning in its own existence: it somehow makes the series seem cartoonish. Perhaps that was the intent! that by placing this abstraction in our minds, on top of all its other visual and objective references to its source material, we may find ourselves blurring the lines between the living subject and original anime, creating an augmented reality that does not feel entirely real, despite the flesh and blood of the people in its world. It’s not just Netflix’s cowboy bebop Fail spectacularly in this respect — if you throw aside the neck-lifting camera angles, muted color palette and lighting and the relatively staid clip of her performance (outside Pineda’s Faye Valentine, where she injects every last line with vibrancy, once in a while) very vivid, stream of curses to give the show the appearance of a pulsing) brings his world back down from any semblance of “rising” rather quickly. Also, in his quest to make himself like his source and remove him enough to have his own visual identity, he completely fails to get what makes the cinematography and visual language in anime work in the first place.

Photo of the article titled Cowboy Bebop & # 39;  s Hunt for a Visual Style is a pain in the neck

screenshot: Sunrise

Not only from an aesthetic point of view that the original Cowboy Bebop He founded the near-future world of science fiction, a mixture of analog and digital. If anything, the anime is in reverse with its Netflix counterpart in its approach to cinematography. If Netflix bebopDutch a-go-go angle aims to evoke the genre of surrealist animation, anime, and especially its cinematic continuation. Knocking on Heaven’s Gate, stretches to great technical length to frame itself as if it were being filmed as a live show. Her camera is rooted in her world and she travels through her world as a living, breathing, 3D space, making well-animated shots and streaming like a real camera moving on a doll. Cowboy BebopThe future feels alive and real, not just through layers of aesthetic dirt, but because animators and artists treat our lenses in this world as real as they are in ours. And being spartan with the amount of attention I’ve drawn to those endeavors, he makes moments so bebop She allows herself to exaggerate—whether in moments of suspense or comedy—to stand out starkly and effectively, rather than drowning in trying to play the same tricks over and over again.

Netflix Cowboy Bebop He has real struggles trying to balance a line between wanting to be his own thing and recreating one of the most beloved animated series ever, but in its Dutch corners trying to twist itself and turn it into a manifestation of the original style, all it does is give us a craving in our necks.

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